LACMA, Los Angeles Contemporary Museum of Art, 2019

In conjunction with "Robert Rauschenberg: The 1/4 Mile or 2 Furlong Piece"
October 21, 2018–February 18, 2019

Deborah Hay's choreography "As Holy Sites Go/duet" with Ros Warby and Jeanine Durning will be performed in the gallery on Feb. 4 and 5, 2019.

http://www.lacma.org/art/exhibition/robert-rauschenberg-14-mile-or-2-furlong-piece 

Fall 2018: MoMA exhibit "Judson Dance Theater: The Work Is Never Done"



The Museum of Modern Art
Judson Dance Theater: The Work Is Never Done
September 16, 2018–February 3, 2019

Deborah Hay will be a featured artist in the MoMA exhibit during the first week of October 2018. Two pieces are on the program of live performance: "A Lecture on the Performance of Beauty" (2003), and "Ten" (1969).

Performances of Ten are Oct 4, 5, 6 around 2 PM, in the Donald C. and Catherine B. Marron Atrium.

A Lecture on the Performance of Beauty is Oct 4 at 7 PM in the Titus 2 Theater.

From the web site: https://www.moma.org/calendar/exhibitions/3927
Redefining the kinds of movement that could count as dance, the Judson participants—Trisha Brown, Lucinda Childs, Philip Corner, Bill Dixon, Judith Dunn, David Gordon, Alex Hay, Deborah Hay, Fred Herko, Robert Morris, Steve Paxton, Rudy Perez, Yvonne Rainer, Robert Rauschenberg, Carolee Schneemann, and Elaine Summers, among others—would go on to profoundly shape all fields of art in the second half of the 20th century.
Through live performance and some 300 objects including film, photographic documentation, sculptural objects, scores, music, poetry, architectural drawings, and archival material, the exhibition celebrates the group’s multidisciplinary and collaborative ethos as well as the range of its participants. The Work Is Never Done includes a gallery exhibition, a print publication, and an ambitious performance program in the Museum’s Donald B. and Catherine C. Marron Atrium.
Judson Dance Theater: The Work Is Never Done, 2018.The Museum of Modern Art. 
The exhibition is organized by Ana Janevski, Curator, and Thomas J. Lax, Associate Curator, with Martha Joseph, Curatorial Assistant, Department of Media and Performance Art. 
Leadership support for the exhibition is provided by Monique M. Schoen Warshaw and by The Jill and Peter Kraus Endowed Fund for Contemporary Exhibitions. 
Major support for the exhibition and publication is provided by MoMA’s Wallis Annenberg Fund for Innovation in Contemporary Art through the Annenberg Foundation. 
Generous funding is provided by The Contemporary Arts Council of The Museum of Modern Art and The Harkness Foundation for Dance.  Additional support is provided by the Annual Exhibition Fund with major contributions from the Estate of Ralph L. Riehle, Alice and Tom Tisch, The Marella and Giovanni Agnelli Fund for Exhibitions, Mimi and Peter Haas Fund, Brett and Daniel Sundheim, Franz Wassmer, Karen and Gary Winnick, and Oya and Bülent Eczacıbaşı. 
MoMA Audio is supported by Bloomberg Philanthropies.

"Figure a Sea" performed at The Venice Biennale Dance 2018



The Cullberg Ballet will be presented at Teatro alle Tese, Venice, on June 30. Figure a Sea was created for 21 dancers and premiered at Dansens Hus in Stockholm in September 2015. Audiences and reviewers around the world have consistently described Figure a Sea as a masterpiece. “Figure a Sea is a meditation on seeing. Seeing music, fleeting incidences and synchronicities, and the unnamable. It is a space for seeing oneself seeing,” says Deborah Hay.
http://www.labiennale.org/en/node/2511
For more information, please contact:  erica.espling@cullbergbaletten.se